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Between The Idea And Work – Course Of Musical Data Processing

Music data processing is so important today because it slowly created tools that are fundamentally changing the way that we think about the music. But its history is brief. It is closely linked to the development and application of numerical technologies. At first, computers were created using symbolic languages, which then led to a multitude of technological innovations. It will be possible to see data processing mature enough to handle all types of concerns.

It is important to recognize what is derived from data processing, and what is part of the wider world of numerical technologies Tubidy. Music draws heavily from both these fields to find its new resources. This distinction is crucial, however, as the sound field is now converted into audio numerical. Music data processing arises from the intersection of musical concerns and the environment created by numerical technologies and the specificity and scope of the computer on one hand and the scientific fields that help to clarify its research areas on the other. There are almost all other musical activities if the musical composition is found in the right place. Music research covers a portion of the ground left by data processing, audio, signal processing and cognitive psychology. Thus, musical data processing is at center of many scientific, technical, and musical fields.

It is the use of data processing’s specific contributions that characterizes the step. The artificial intelligence is constantly providing new conceptual tools, which are concreted in languages such as Prolog and Lisp. They can be used immediately at the musicologist or abstracting service for the composition. The interfaces interactive and real-time research allow for new connections between the musician and the electronic universe.

Music data processing on great stages

There are two kinds of activities that can be found in the history of musical data processing. It is possible to see that these activities were not planned for today. These activities include the production of sound and the musical composition. Both cases rely on the computer to create the desired result. These two types are both very contemporary. 1956 marked the beginning of serious musical composition per computer tests. Lejaren Hiller calculated a partition using rules encoded as algorithms on the computer Illiac I at the university of Illinois. It is about Illiac Suite For String Quartet. This year, the string quartet WQXR carries out its three movements. Lejaren Hiller explains in detail, in a 1959 publication, the procedure it used to produce the partition of his string quintet.

It is the same year that John McCarthy invented artificial intelligence. Max Mathews was a researcher at Bell Telephone’s laboratories in New Jersey. He was the first numerical programmer to create the sound for IBM 704’s computer. Today, Music I is known as the first of a large family of acoustic composers. Newman Guttman (psychologist) creates the first one-minute study in the Silver Scale.